11 MyChurch April 2016

All Saints, Poplar

SarahI am Sarah Best and I am going to play in All Saint’s, Poplar. Actually, my church is St Augustine’s, Kilburn, which has a fabulous organ, but is unfortunately much in need of attention. So I have decided to play in  All Saints Poplar, E14, 0EY  where I often deputise: this has an excellent organ, and a vicar and organist who have kindly let us do this.

All Saint’s was built in 1821 when the population in Poplar began to grow at the time the West India Dock was being dug out.

1. IMG_9036Originally there were galleries on three sides and a pulpit which could be cranked up for large congregations!

There was also a stained glass window behind the altar which was so criticised that apparently the artist committed suicide. It was eventually bricked up.

The church has undergone several alterations since then. In the 1920’s recession everything was simplified. The church was painted white and the adjustable pulpit removed.

The East end was damaged in the Blitz and subsequent restorations saw the galleries removed and a new organ and choir stalls put in at the West end. You can hear me saying more about the church and the organ by clicking this link or the photo of the church above.

The organ

IMG_9064

The organ pipework came from a church in Clapham and was originally made by Hunter. The current organ was restored by Manders. The registration is given on the following link:

http://www.npor.org.uk/NPORView.html?RI=E00055

The piece I shall play is ‘Schmücke Dich O liebe Seele’ (Deck Thyself, My Soul, with Gladness) by Sigfrid Karg-Elert (1877-1933). This tune has been used by many composers and was originally a Bach cantata BWV 180 composed for the 20th Sunday after Trinity which falls in October and was used as a Eucharist hymn. I chose this as I thought it would show the colours of the organ.

You can hear this music by clicking the picture of the organ or clicking on the following link here,  on the picture of the organ

Sarah Best


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09 My Church February 2016

St Swithun’s the Evangelist, Hither Green

3Nick75I am Nicky Jones an organist on the rota of organists for St Swithun’s Hither Green and Honorary Secretary of the Southwark and South London Society of Organists.

I am playing “Te Splendor et Virtus” – Chorale No 15 from Le Tombeau de Titelouze Opus 38, composed in 1942 by Marcel Dupré . Dupré was inspired by the work of Titelouze (1563-1633), French composer, poet and organist of the early baroque period. “Te Splendor et Virtus” is, like  all 16 chorales from the collection, a reworking of Titelouze’s organ settings of plain chant hymns for use during the litany. The Latin verse reads:-

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You can hear (and see) me playing by clicking this link or by clicking the photo of the church. In my view this piece is really quite beautiful as well as being 01measured in pace, reassuring and unpretentious.  I  found too that Dupré’s very precise fingering instructions and the associated requirement for legato playing provided a real opportunity to attempt to  improve technique!

The organ

The present organ in St Swithun’s Church,Hither Green was built by Peter Conacher of Huddersfield, however, it did not begin life here. Sometime during the nineteenth century the organ was originally installed at Blenheim Palace in Oxfordshire, home of the Duke of Marlborough. In 1891 a larger organ was built for Blenheim, by Father Willis (of Henry Willis and Sons of London); this new organ had four manuals and pedals, with seventy stops – huge for a private residence!I

It was probably two years later that the Conacher organ was installed in St. Swithun’s by Father Willis. It was installed in the north east of the church (where the pipes are today), and was a three manual instrument, with nine speakin05ag stops on the Great, ten on the Swell and six on the Choir; the Pedal organ had just three stops (which was typical of Conacher) and there were five unison couplers. The full specification is given http://www.npor.org.uk/NPORView.html?RI=N16392

In 1959 Sidney George Tuddenham, then St Swithun’s organist, paid £5000 for the rebuilding of the instrument. This amounted to a reworking – and a pruning – of the existing pipework, with the result that we now have a fine, healthy two-manual organ with some excellent Solo stops – notably the Basset Horn, the Oboe, and the Tromba.

The Conacher organ is a fine instrument and is still making music to praise the Lord to this day and it is a joy to be one of the people doing so.

Nicky Jones


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08 My Church December 2015

Happy Christmas, everybody!

John(43)75

I have been Director of Music at St. John’s Church, East Dulwich twice: 1993-7 and again since 2003. The main Sunday service is a Sung Mass at 10a.m. with choir.  The junior section is twelve strong and usually sings at two services each month.  The adults (10-15, occasionally more)  are there every week.  We have an anthem and usually a psalm with a cantor, plus other bits and pieces for choir members, such as an introit and hymn descants.  Sometimes the opening music is not an organ voluntary, but an instrumental piece (often by a young person) or a choir solo or a short anthem.  The Junior Choir is well involved in these solos.  Four Junior Choir members have diocesan awards, as have also several of the adults.  We sing the Fauré Requiem at All Souls’ Tide and occasional cathedral services, sometimes with friends joining us.  Plainsong is used regularly and we cover many styles of composition, but the music is mainly traditional.

I have made the Choir my priority and am very fortunate St Johnsin having a team of assistant organists who do most of the playing, by being available from time to time: Nicky Jones, Neil Stevenson, Marilyn Harper, Harry Bramma, Emily Elias, Andrew Baars and, more recently, Niall Baxter and Charlie Warren.

The organ is a three manual Walker of 1985, restored in 1995, but actually the property of Trinity Laban Conservatoire, but on permanent loan as it is surplus to Trinity‘s requirements since they moved to Greenwich.  We have had this since 2011.Click o0n the organ picture to get its specification from the National Pipe Organ Register.

Each summer there is a series of recitals: in 2016 these will be on May 7th. (me), July 2nd. (Emily) and September 17th. & 24th. (Richard Pilliner, who will be playing the Six Sonatas of J S Bach).

The Beckenham Junior Choir and Youth Voices

I started Beckenham Junior Choir in 1993 as a means of encouraging young people to sing outside school hours.  It is amazing what can be achieved!  Over the years that has been tremendous loyalty and several singers have gone on to take their music further.  Many of the singers have been pianists for the Choir as well; from time to time some of them play other instruments in our many concerts.  We have the benefit of adult musical support: Stuart Kale (international opera singer) coaches the young people and Mark Edwards is our regular guitarist.  A few Choir parents join us for some of our songs.  We sing folk music, pop music, classical repertoire with a smattering of church music.

Beckenham Youth Voices began in 2004 in response to the need to provide further singing for our 11 year olds when they would otherwise have had to leave.  The sound of this older group (aged 11-18) is very satisfying and they have been growing in confidence.

The two choirs sing a mix of musical types: folk, popular songs, items from shows or musicals, classical pieces – and even some church music! However, although the older choir joins my gathering of groups for Choral Evensong at Southwark and Rochester Cathedrals every other year, it is unusual for either group to be involved with a church service. So it was an exception that this year on the 29th November they both came together in the Advent Carol Service at St John’s. These services are much rarer than the Christmas ones that everyone knows about but are rich in themes and there is plenty of material to be used.

The event gave the young people  from Beckenham  a chance to do something different; it also took away some of the pressure on my very busy church choir.

advent candlesIt has been good to involve the parents of a few of the children, together with personal friends, over the last few years. Good for the parents to have an opportunity of joining in but also good for the children to hear four-part  texture which we don’t  otherwise have.

To hear an see the children doing their final rehearsal, click on the picture of the Advent candles or on the link: https://www.youtube.com/embed/0JjMyfpHeao

The film is 7 minutes long

John Webber


 Choir members

 BECKENHAM JUNIOR CHOIR: Claudia Adams, Malachi Adams, Nathaniel Bates Fisher, Eve Battley, Caleb Carpenter, Maya Channing, Joe Davies, Samuel Draisey, Nehara Fernando, Ella Fraser, Olivia Fraser, Georgina Glynn, Aaron Gunaseelan, Aashni Gunaseelan, Sophie Hall, Elena Harwood, Steven Harwood, Rachael Leary, Alexia Moren-Rosado, Alessandro Mutti, Amelia O’Keeffe, Sheron Piremi, Dionysios Sevastakis, Nikola Treigute, Zara Eden Wynter.
 BECKENHAM YOUTH VOICES:  Zachary Bates Fisher, Ivan Berdnikov, Chloé Beroud, JJ (Joshua) Carpenter, Miriam Carpenter, Elle Cousins, Ben Davies, Oliver Farrell, Sabrina Giampieri-Smith, Tiziri Hadj-Mahsoud, Chloe Harwood, Malini Kendall, Anna Porritt, Marie Purrman-Charles, Stella Rosen-Morado, Grace Westgarth.

Interested in joining either of the the Choirs?

Go to http://www.beckenhamjuniorchoir.co.uk

Interested in more of John’s choir music?

John also runs an adult choir, the Elm Singers which is performing at St John’s, East Dulwich,  SE22 9AT on the 11th December 2015.

 

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Visit St Mary’s Hay on Wye

A place of mystery and interest

JohnMitch75In September I spent a few days in Hay-on-Wye, famous for its profusion of books and bookshops, and of course for the Hay Festival every May/June.  It is a place where I have always felt somehow ‘at home’. My chief reason for going this time was curiosity to see how the Bevington organ at St Mary’s had settled down.

I last visited Hay in 2011, having read about this fascinating Churchinstrument in Organist’s Review. At that time the instrument had only recently been installed and was still settling down.

On both occasions I found a warm welcome not only from a friendly congregation but also from an astonishing variety of beautifully well-behaved dogs. And when I confessed  to being an organist, I was  encouraged (on both occasions) to try out the instrument, of which they are justly proud. I was of course delighted to do so.

St Mary’s is its fifth home, having started out in Hartley Hall near Cambridge.  Its secular origin is evident in its sumptuously decorated case and magnificently stencilled pipes. With its curious position right on the edge of the balcony, and looking rather as though the organist has already plunged backwards into the abyss, it looks perhaps a little exotic for a church. But it is unmistakably beautiful and in the perfect place to lead the singing. The sound is absolutely wonderful and the action as prompt and responsive as one could ever wish.

The church was anxious to conserve the beautiful decoration of the instrument, and as the original built-in console was an intrinsic part of the case, they decided to retain it, though it is no longer functional. The organ is now played from a new, detached console at ground level where the organist is well in touch with choir, congregation and priest.

OrganOne problem was apparent soon after the organ was installed. It had been designed for a much smaller space with a lower ceiling and the pedal pipes did not adequately support the manual choruses. To have increased the power of the existing pipes would have spoiled their tone, and there was no space for new, larger pedal pipes, so a small number of digital electronic ranks was added to the pedal organ. A small green button on the console allows the organist to switch these stops between electronics and the original pipes.  The digital section also includes a couple of manual stops which augment the existing ranks. There is even an alternative, more gentle electronic zimbelstern.

When I first visited four years ago they were still getting the balance right. It sounded good then but now it sounds magnificent. The tuba (digital) used to blare slightly, but now I would not have been able to tell which ranks were digital had I not been told. There are ravishingly beautiful flutes, warm confident diapasons, characterful reeds and a magnificent full organ which somehow manages to be rich and powerful without being shrill or overwhelming.

Fr Richard the parish priest, evidently well-liked by church and town-folk alike, is himself a brilliant and talented  organist and composer. PriestBefore going into the priesthood he had studied music at Trinity College, London. The organ was his project, and he plays it nearly every day, whether for recitals or for the occasional service,  including daily evensong (where he is often assisted by Curate Jimmy – his large blue poodle). His improvisations are legendary.  He is well supported by Aled Liddington  the organist and choirmaster at St Mary’s, himself an excellent performer and improviser.

Fr Richard mentioned as we parted that at the Hay Festival this year he had been persuaded to try his hand as a cinema organist, and improvise a soundtrack to an old silent movie.  With a touch of diffidence he suggested that if I looked on YouTube using  the keywords “Father Richard” and “Nosferatu”, I would find a short video commemorating the event here .                    St Mary’s was packed for the showing and Fr Richard got a standing ovation. He is apparently already looking for another silent movie to accompany at next year’s Hay Festival…!

The church’s website, with more details on the organ is here.

The Birmingham Organist’s Association website carries a detailed specification of the instrument, including the digital section:  http://www.bhamorgan.org.uk/organ131.html

There is an interesting article about the church at: http://downloads.bbc.co.uk/wales/archive/bbc-mid-wales-hay-on-wye-st-marys-church-year-in-photos.pdf

John Mitchell