Author Archives: OrganistA
Online Meeting, Saturday 06/06/2020
On Saturday 6th June an online meeting, entirely informal in nature, was offered as a substitute for the day-trip to Thaxted and Saffron Walden parish churches, which sadly had to be postponed for the usual current reasons. A real shame, as the two towns and churches are very attractive, and in fine weather are glorious to behold. The organs, of course, are very special.
So instead, all members were sent a message via email, asking if they would like an invitation and link to take part in Saturday evening’s meeting, which took place using the zoom app. Please find a note of the meeting here.
Southwark and South London Society of Organists newsletter June 2nd, 2020
Welcome to a roundup of information and links, which is a way of keeping in touch with members, not only while Life is Weird, but something to do in any case, to keep us together.
Miscellaneous:
1. I have attached the quiz form the last newsletter, with the answers (here). This was just for fun, to keep you on your toes; some will have found it easy and others will have had to research.
2. Remember that the Royal School of Church Music and the Royal College of Organists have been providing regular e-mails not only to members and affiliated groups, but to anyone who wants to have frequent contact with, e.g. daily and weekly hymns and services, tuition online and so on.
3. Our own website (at sslso.org) has plenty to read: views, facts, past and future meetings – and you can hear sixty organ pieces played by our members. Another word of thanks to Martin Callingham for looking after the website for several years now; the baton (or whatever) has been passed to Sam Gover, or will be within the next few days.
4. BBC Radio 3 has had to rethink its schedule recently, with loads of cancelled concerts. Two positive things now: the last two weeks of the Prom Concerts will take place (i.e. early September) with reduced forces performing and, I imagine, with no live audience. Also, from yesterday (Monday, June 1st.), live lunchtime concerts (1p.m. for an hour) are being broadcast from the Wigmore Hall in Mondays to Fridays during June.
June and July meetings:
1. Saturday, June 6th was to have seen our outing to Thaxted and Saffron Walden in North Essex, which both sound like a dream to visit just now! We certainly aim to try again to include events which have been postponed and your Committee will meet (virtually) later this month to consider what can be done. In place of the trip to Essex, we had a discussion on Zoom at on Saturday, led by Norman Harper and hosted by Ashley Valentine. Please see a note of the event here.
2. The meeting on July 4th, with Richard Pilliner, has been postponed and we’ll let you know about this and other planned events as time goes by.
Links to sundry pieces of music:
1. I received this from Reg Boulton from the Bexley Association: https://youtu.be/A_i8qdfW5u8
2. From Charlie Warren, former SSLSO members and a one-time student of mine: some observations, followed by a performance of two Brahms Chorale Preludes: Op.122, No.2 here, and here. Then Op.122, No.3 here and here.
3. An interesting take on Ravel follows here.
You are welcome to offer your own links and thoughts and I’ll send another letter out in a few weeks. If you want to record a piece of music and send it to me, do!
Best wishes, John
Keyboard Skills Workshop
Saturday 23rd May (2020) saw our former Chair, Marilyn Harper, lead the Keyboard Skills workshop. This was the Society’s first virtual event, hosted over zoom with four participants and seven observers. Keyboard skills, including transposition, figured bass, sight reading and improvisation are core elements of the three Royal College of Organists’ diplomas. Marilyn recommended starting young if possible! Indeed two of the workshop participants were among our younger members, Ben (aged 11) and Joe (aged 15). Marilyn started the workshop looking at exercises from the books written jointly by Anne Marsden Thomas and Frederick Stocken, Graded Keyboard Musicianship, which she thoroughly recommended. Published in two volumes by Oxford University Press, these provide 5 “lessons” at each of 8 “levels”. Each lesson covers Figured bass, Score Reading, Harmonising a Melody, Transposing and Improvising. Ben and Joe performed admirably, realizing the given chord sequences for figured bass, adding them for harmonization, and transposing melodies up and down a tone. Sight reading followed, which was accomplished equally as well. Next, Alan and Robert looked at transposing a four part hymn tune up or down by one or two semitones, which is a requirement for both the Colleague Diploma (CRCO) and Associateship Diploma (ARCO). Marilyn recommended working through the Hanon studies in different keys, to build up technique skills in transposition, and using a metronome for practice – always count in, and start at a slow tempo and work your way up. The workshop concluded with a discussion over zoom among all present, and we of course expressed our gratitude to Marilyn for a thoroughly enjoyable and insightful workshop.
Southwark and South London Society of Organists newsletter May 12th, 2020
Good to be in touch! Thanks to members and to the organisation of our Committee, I now have the privilege to chair SSLSO, with the particular support of Richard Pilliner (Vice-Chair), Andrew Chadney (Secretary) and Peter Ramell (Treasurer). Peter is also Membership Secretary. The Committee will have its next meeting by Zoom on June 28th. Let me know if you’d like anything brought to our attention. The Committee is hugely talented and we did have great plans for the rest of the year, so hopefully some will be able to take place!
I’ll now be sending out a newsletter every month, possibly more often. (Occasionally colleagues will send it out.) It will contain a mix of news and information, plus other things which may crop up, such as links, some less serious than others. Andrew and Peter will send out messages relevant to their roles and Richard will send out a “recital round up”, once that that the phrase has a meaning once more. Newsletters will go out to a representative of three other local societies and they will keep us on their missives. You are invited to send items to any of us, for inclusion in our e-mails. I’d prefer links to attachments, please.
Do please visit our website: sslso.org. Our thanks have already been recorded to Martin Callingham for maintaining the site and he is rightly stepping back after a long time. You can see articles by members Marilyn Harper and David Wakefield, plus recordings of sixty organ pieces. The home page lists plans for the rest of 2020. The Royal College of Organists and the Royal School of Church Music are sending weekly e-mails, to which non-members can have free access at present. I recommend that you look at these, as there is much on offer, not only musical advice and “webinars” on offer, but the RCO is providing news about access to organs in churches during the current pandemic.
I have attached a quiz; nobody has to do it and there are no prizes; it’s just for fun, especially while many people have extra time available! The answers will go out in the next newsletter, in three or four weeks’ time.
The next three meetings:
Andrew has been in touch about May 23rd, so do respond if you are interested;
for June 6th. there is a proposed outing to North Essex, which Norman Harper is still checking out, so we’ll come back o that;
on July 4th. Richard Pilliner will do a session for us either in Penge or by Zoom, so that’s something else to let you know about.
From the newsletter of the Bexley and District Association:
From the Parish of Friern Barnet’s Dictionary of Musical Terms:
- Anon – composer of many 16th. century anthems, sometimes wrongly attributes to Tallis, Byrd, etc.
- Bridal March – Signature tune to Horse of the Year Show.
- Chant – old English spelling of “can’t”, which is what the choir say when asked to do it.
- Descant – one of two nuisances in church, the other being pigeons. A descant is a disagreement between choir and congregation about how the music goes.
- Great organ – British version of “fine instrument” known in America as “swell organ”.
- Ground Bass – what you might call a “basso profundo” after being run over by a steam roller.
- Handel’s Largo – 18th. century great German taste for the great British thirst
- Handel’s “Messiah” – lesser known Prelude to the “Hallelujah” chorus.
(There is more…..)
And, as SW4 is part of our patch, here is one solution to the limerick which Bexley members were invited to complete:
There once was an organist from Clapham Whose choir thinks she’s a bit of a madam. The sops she berated, The tenors she slated. As they often sang flat in the anthem. (From Lydia Gray)
Some links to see:
- May Morning at Magdalen
- Typos (offered by Peter Smith)
- Organ music recorded mainly at home by Niall Baxter, a colleague of mine at St. John’s Church, East Dulwich
- A recent online version of Tallis’s “Spem in alium”
- Finally, an up-to-date version of an operatic piece.
You are welcome to respond or to generally keep in touch.
With good wishes,
John
John Webber
SSLSO Education Initiative
‘Introducing the organ’ scheme – awards to be announced shortly!
The Southwark & South London Society of Organists has launched a new education initiative for 2019. Our ‘Introducing the Organ’ scheme is a wonderful opportunity for organ enthusiasts to start learning the basics of a truly fascinating instrument. Expert tuition and advice will be offered in the form of beginner organ lessons and students will benefit from the knowledge and support of our society. We hope that for some, our scheme will present the first step to discovering a life-long passion!
After the launch in April, we had a great deal of interest from potential new organists. Thank you to everyone who shared posts on social media, distributed posters or spread the word the old-fashioned way!
We were delighted to receive a wealth of entries and we thank everyone who applied. The maximum number of grants has been awarded for 2019 and we congratulate George, Daniel, Benjamin, Michelle and Geremia. They will each receive £250, designed to cover the cost of new organ music up to a value of £25, and a minimum of five, 45-minute organ lessons with a SSLSO appointed tutor or other approved teacher.
The award certificates will be presented at St George’s Cathedral in Southwark and we will keep you posted about their progress.
Thank you to everyone who has taken part so far.
SSLSO and Education: Planning for the future
Last year, the BBC World Service featured a report on the channel’s World Update Podcast entitled, ‘the decline of the church organist’. It began with a play-over of ‘Joy to the World’ before a 12-year-old student played J. S. Bach’s ‘little’ Prelude and Fugue in F major, BWV 556, at one of the Oxford colleges. The announcer introduced the programme: ‘[…this is the] iconic sound of an English Sunday morning – even for those who never go inside a church. Well, now that sound is endangered. There are just not enough young organists learning how to play the hymns and anthems of traditional worship. Where churches are doing well, pulling in the crowds, guitars and drums are taking over…’
Musicologist Dr Simon Firth went on to list some of the possible reasons for this decline: changes in the style of worship, a 50% decline in church attendance over the last 50 years, fewer services to accompany, low wages and old organs falling into disrepair.
Many of us, even if you don’t play regularly as part of worship, will have heard about or experienced issues that stem from a lack of organists in churches. You may know a church down the road that has installed a hymn machine due to no one being able to replace a retiring organist. You may have read about a disused organ being removed from a church needing more space. Or perhaps you’ve finally arranged access to try out an organ only to find that it is locked and no one knows who has the key!
But as long as organs draw air, there is hope. There’s still intense competition for organ scholarships at UK universities and ‘highflyers’ continue to pull in the crowds. Admittedly, reading about Cameron Carpenter’s touring organ may seem far removed from your instrument that the organ builder assures you is on life support. But on a local level, in our own organ society, members continue to strive to enthuse others to appreciate the organ. They plan recitals, learn exciting new pieces, organise repertoire evenings or even arrange wine tasting concerts featuring wines from all over the world accompanied by appropriate organ pieces!
The SSLSO’s aim is to support the knowledge and practice of organ-playing in Southwark and South London. As representatives of an amazing variety of organs, and to ensure that they continue to be heard in the 21st Century and beyond, we must do our bit towards encouraging new people to play the organ. To do that, SSLSO has launched an experimental education initiative. ‘Introducing the organ’ is designed around allowing people to ‘try out’ the organ and will offer funding and practical support to potential new organists.
Whilst the BBC report contained some interesting ‘food for thought’, one of the most important segments centred around how the young organist became interested in the organ in the first place: ‘someone at my church offered to let me play the organ’. Whilst our new scheme is of modest means, even the smallest amount of encouragement and enthusiasm can alter the course of people’s musical lives. And perhaps that is something that we can all think about each time we sit down at the organ.
Ashley Valentine